Transforming music learning: Keroncong guitar VSTi prototype as a catalyst for educational innovation
Yudi Sukmayadi, Universitas Pendidikan Indonesia, Indonesia
Lanang Riyadi, Universitas Pendidikan Indonesia, Indonesia
Abstract
Keywords
Full Text:
PDFReferences
Alfian, M. (2013). Keroncong music reflects the identity of Indonesia. Tawarikh: Journal of Historical Studies, 4(2). https://doi.org/10.2121/TAWARIKH.V4I2.555
Bennett, D. (2016). Developing employability in higher education music. Arts and Humanities in Higher Education, 15(3–4), 386–395. https://doi.org/10.1177/1474022216647388
Budiawan, H., & Martyastiadi, Y. S. (2020). the explanation of life experience reflection as ideas of artistic research. International Journal of Creative and Arts Studies, 7(2), 145–152. https://doi.org/10.24821/IJCAS.V7I2.4658
Cano, E., Dittmar, C., Abeßer, J., Kehling, C., & Grollmisch, S. (2018). Music technology and education. In Springer Handbook of Systematic Musicology (pp. 855–871). Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-55004-5_41
Carlisle, K. (2013). Handheld technology as a supplemental tool for elementary general music education. Journal of General Music Education, 27(2), 12–17. https://doi.org/10.1177/1048371313505590
Chrisanto, K., Safrina, R., & Hardiarini, C. (2021). Konsep pembelajaran DAW (digital audio workstation) pada mata kuliah teknologi musik. Jurnal Penelitian Musik, 2(1), 54–64. https://journal.unj.ac.id/unj/index.php/pm/article/view/19169
Cipta, F. (2021). Digital audio workstation in music self-learning. Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020), 208–212. https://doi.org/10.2991/ASSEHR.K.210203.044
Duncan, R. (2021). Cognitive processing in digital audio workstation composing. Journal of General Music Education, 104837132110344. https://doi.org/10.1177/10483713211034441
Frenki, F., Rozalvino, R., & Murniati, M. (2018). Kontakt Library Kacapi Payokumbuah. Laga-Laga : Jurnal Seni Pertunjukan, 4(2), 163–172. https://doi.org/10.26887/LG.V4I2.509
García-Gil, D., Cuervo, L., & Bonastre, C. (2022). A critical reflection on virtual music education in a changing world. International Journal of Humanities Education, 20(2), 43–61. https://doi.org/10.18848/2327-0063/CGP/V20I02/43-61
Gorbunovа, I., & Govorova, A. (2018). Music computer technologies in informatics and music studies at schools for children with deep visual impairments: From the experience. Lecture Notes in Computer Science (Including Subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), 11169 LNCS, 381–389. https://doi.org/10.1007/978-3-030-02750-6_29
Gunawan, I. (2023). A prototype “Kendang Jaipong” virtual instrument as music creativity tools. Virtuoso: Jurnal Pengkajian dan Penciptaan Musik, 6(1), 13–31. https://doi.org/10.26740/VT.V6N1.P13-31
Hendriyana, H. (2021). Metodologi penelitian penciptaan karya (edisi revisi). Andi Publisher.
Hennekam, S. (2022). Towards more inclusion in the music industry. In Music as Labour: Inequalities and Activism in the past and Present (pp. 190–203). Taylor and Francis. https://doi.org/10.4324/9781003150480-13
Hidayat, R., & Syafwandi, S. (2022). The implementation of digital audio workstation learning in digital music at art drama, dance, and Musicstudy Program of Padang State University. LANGGAM: International Journal of Social Science Education, Art and Culture, 1(03), 26–34. https://doi.org/10.24036/LANGGAM.V1I03.10
Hidayatullah, R. (2023). Pendidikan musik informal pada komunitas Jazz di Lampung. Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik, 5(1), 1–13. https://doi.org/10.24036/MUSIKOLASTIKA.V5I1.86
Kusuma, A. S., & Karwati, U. (2024). Penerapan model pembelajaran inkuiri dalam improvisasi Gitar Jazz: Upaya meningkatkan kreativitas dan berpikir kritis. KOLEKTIF: Jurnal Pendidikan, Pengajaran, dan Pembelajaran, 1(1), 20–29. https://doi.org/10.70078/KOLEKTIF.V1I1.28
Kusumah, A. (2021). Teknik improvisasi gitar dalam Musik Keroncong. Journal of Music Science, Technology, and Industry, 4(2), 263–277. https://doi.org/10.31091/JOMSTI.V4I2.1797
Larsson, C., & Georgii-Hemming, E. (2019). Improvisation in general music education – a literature review. British Journal of Music Education, 36(1), 49–67. https://doi.org/10.1017/S026505171800013X
Leider, C. N. (2005). Digital audio workstation. McGraw-Hill. https://dl.acm.org/doi/abs/10.5555/975278
López-Íñiguez, G., & Bennett, D. (2021). Broadening student musicians’ career horizons: The importance of being and becoming a learner in higher education. International Journal of Music Education, 39(2), 134–150. https://doi.org/10.1177/0255761421989111
Malaschenko, V. O., Antonova, M. A., Knyazeva, G. L., Belokon, I. A., & Pechersky, B. A. (2020). Theoretical and practical aspects of integrating the computer and music technologies into the instrumental performance training of the pedagogical university students. International Scientific and Practical Conference “Theory and Practice of Project Management in Education: Horizons and Risks” , 79, 01014. https://doi.org/10.1051/SHSCONF/20207901014
Nart, S. (2016). Music software in the technology integrated music education. Music Software in the Technology Integrated Music Education, 15(2), 78–84. http://www.tojet.net/abstracts/v15i2/1529
Pendergast, S. (2022). Creative music-making with digital audio workstations. Music Educators Journal, 108(2), 44–56. https://doi.org/10.1177/00274321211060310
Portowitz, A., Peppler, K. A., & Downton, M. (2014). In harmony: A technology-based music education model to enhance musical understanding and general learning skills. International Journal of Music Education, 32(2), 242–260. https://doi.org/10.1177/0255761413517056
Pratama, A., & Latifah, D. (2023). Rancangan instrumen virtual Kendang Sunda menggunakan Kontakt sebagai media kreativitas musik digital. musikolastika: jurnal pertunjukan dan pendidikan Musik, 5(2), 167–176. https://doi.org/10.24036/MUSIKOLASTIKA.V5I2.134
Ramdani, F., & Sukmayadi, Y. (2023). Composition music Gamelan with VSTi. Proceedings of the Fifth International Conference on Arts and Design Education (ICADE 2022), 200–209. https://doi.org/10.2991/978-2-38476-100-5_29
Reuter, A. (2022). Who let the DAWs Out? The digital in a new generation of the digital audio workstation. Popular Music and Society, 45(2), 113–128. https://doi.org/10.1080/03007766.2021.1972701
Riyadi, L., & Budiman, N. (2023). Capaian pembelajaran seni musik pada kurikulum merdeka sebagai wujud merdeka belajar. Musikolastika: Jurnal Pertunjukan Dan Pendidikan Musik, 5(1), 40–50. https://doi.org/10.24036/MUSIKOLASTIKA.V5I1.104
Supiarza, H., Sobarna, C., Sukmayadi, Y., & Mulyadi, R. M. (2018). The prospect and future of youth Kroncong Group at Universitas Pendidikan Indonesia in Bandung. Harmonia: Journal of Arts Research and Education, 18(1), 52–61. https://doi.org/10.15294/harmonia.v18i1.11775
Swanwick, K. (2001). Musical technology and the interpretation of heritage. International Journal of Music Education, 37(1), 32–43. https://doi.org/10.1177/025576140103700104
Wise, S., Greenwood, J., & Davis, N. (2011). Teachers’ use of digital technology in secondary music education: illustrations of changing classrooms. British Journal of Music Education, 28(2), 117–134. https://doi.org/10.1017/S0265051711000039
Yulfita, A. F., & Asril, A. (2023). Hibridisasi pada musik Keroncong dalam Lagu Bugih Lamo oleh Grup Orkes Keroncong Buana Lestari Sawahlunto. Jurnal Mebang: Kajian Budaya Musik Dan Pendidikan Musik, 3(2), 61–72. https://doi.org/10.30872/MEBANG.V3I2.88
DOI: https://doi.org/10.21831/jitp.v11i4.71223
Refbacks
- There are currently no refbacks.
Copyright (c) 2024 Adel Sulaiman Kusuma, Yudi Sukmayadi, Lanang Riyadi
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Our journal indexed by:
View Journal Statistics