Transforming music learning: Keroncong guitar VSTi prototype as a catalyst for educational innovation

Adel Sulaiman Kusuma, Universitas Pendidikan Indonesia, Indonesia
Yudi Sukmayadi, Universitas Pendidikan Indonesia, Indonesia
Lanang Riyadi, Universitas Pendidikan Indonesia, Indonesia

Abstract


The rapid development of technology in music education requires music educators to be creative and critical in developing technology-based learning tools. This ensures that learning aligns with current trends and is implemented more effectively. In addition to enhancing learning, technology also addresses challenges faced by music composers. This study focuses on creating a Virtual Studio Technology Instrument (VSTi) for the keroncong guitar as a teaching aid. In keroncong music, the guitar plays a key role in improvising chord progressions, demanding specialized skills from musicians and composers. Using a practice-oriented approach, this study covers the pre-production, production, and post-production stages of developing a VSTi for the Keroncong guitar. The results show that the VSTi operates effectively in a Digital Audio Workstation (DAW), serving as a valuable learning tool and reference for keroncong guitar patterns. The assessment demonstrated significant improvements in sound quality and user satisfaction, with 90% of users approving. Integration with other instruments showed a 25% average improvement, while flexibility and ease of improvisation received positive feedback from 80% and 75% of users. To conclude, the prototype of the Keroncong Guitar VSTi can catalyze educational innovation.

Keywords


Music education technology; Virtual instrument; Keroncong guitar; Prototype

Full Text:

PDF

References


Alfian, M. (2013). Keroncong music reflects the identity of Indonesia. Tawarikh: Journal of Historical Studies, 4(2). https://doi.org/10.2121/TAWARIKH.V4I2.555

Bennett, D. (2016). Developing employability in higher education music. Arts and Humanities in Higher Education, 15(3–4), 386–395. https://doi.org/10.1177/1474022216647388

Budiawan, H., & Martyastiadi, Y. S. (2020). the explanation of life experience reflection as ideas of artistic research. International Journal of Creative and Arts Studies, 7(2), 145–152. https://doi.org/10.24821/IJCAS.V7I2.4658

Cano, E., Dittmar, C., Abeßer, J., Kehling, C., & Grollmisch, S. (2018). Music technology and education. In Springer Handbook of Systematic Musicology (pp. 855–871). Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-55004-5_41

Carlisle, K. (2013). Handheld technology as a supplemental tool for elementary general music education. Journal of General Music Education, 27(2), 12–17. https://doi.org/10.1177/1048371313505590

Chrisanto, K., Safrina, R., & Hardiarini, C. (2021). Konsep pembelajaran DAW (digital audio workstation) pada mata kuliah teknologi musik. Jurnal Penelitian Musik, 2(1), 54–64. https://journal.unj.ac.id/unj/index.php/pm/article/view/19169

Cipta, F. (2021). Digital audio workstation in music self-learning. Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020), 208–212. https://doi.org/10.2991/ASSEHR.K.210203.044

Duncan, R. (2021). Cognitive processing in digital audio workstation composing. Journal of General Music Education, 104837132110344. https://doi.org/10.1177/10483713211034441

Frenki, F., Rozalvino, R., & Murniati, M. (2018). Kontakt Library Kacapi Payokumbuah. Laga-Laga : Jurnal Seni Pertunjukan, 4(2), 163–172. https://doi.org/10.26887/LG.V4I2.509

García-Gil, D., Cuervo, L., & Bonastre, C. (2022). A critical reflection on virtual music education in a changing world. International Journal of Humanities Education, 20(2), 43–61. https://doi.org/10.18848/2327-0063/CGP/V20I02/43-61

Gorbunovа, I., & Govorova, A. (2018). Music computer technologies in informatics and music studies at schools for children with deep visual impairments: From the experience. Lecture Notes in Computer Science (Including Subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), 11169 LNCS, 381–389. https://doi.org/10.1007/978-3-030-02750-6_29

Gunawan, I. (2023). A prototype “Kendang Jaipong” virtual instrument as music creativity tools. Virtuoso: Jurnal Pengkajian dan Penciptaan Musik, 6(1), 13–31. https://doi.org/10.26740/VT.V6N1.P13-31

Hendriyana, H. (2021). Metodologi penelitian penciptaan karya (edisi revisi). Andi Publisher.

Hennekam, S. (2022). Towards more inclusion in the music industry. In Music as Labour: Inequalities and Activism in the past and Present (pp. 190–203). Taylor and Francis. https://doi.org/10.4324/9781003150480-13

Hidayat, R., & Syafwandi, S. (2022). The implementation of digital audio workstation learning in digital music at art drama, dance, and Musicstudy Program of Padang State University. LANGGAM: International Journal of Social Science Education, Art and Culture, 1(03), 26–34. https://doi.org/10.24036/LANGGAM.V1I03.10

Hidayatullah, R. (2023). Pendidikan musik informal pada komunitas Jazz di Lampung. Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik, 5(1), 1–13. https://doi.org/10.24036/MUSIKOLASTIKA.V5I1.86

Kusuma, A. S., & Karwati, U. (2024). Penerapan model pembelajaran inkuiri dalam improvisasi Gitar Jazz: Upaya meningkatkan kreativitas dan berpikir kritis. KOLEKTIF: Jurnal Pendidikan, Pengajaran, dan Pembelajaran, 1(1), 20–29. https://doi.org/10.70078/KOLEKTIF.V1I1.28

Kusumah, A. (2021). Teknik improvisasi gitar dalam Musik Keroncong. Journal of Music Science, Technology, and Industry, 4(2), 263–277. https://doi.org/10.31091/JOMSTI.V4I2.1797

Larsson, C., & Georgii-Hemming, E. (2019). Improvisation in general music education – a literature review. British Journal of Music Education, 36(1), 49–67. https://doi.org/10.1017/S026505171800013X

Leider, C. N. (2005). Digital audio workstation. McGraw-Hill. https://dl.acm.org/doi/abs/10.5555/975278

López-Íñiguez, G., & Bennett, D. (2021). Broadening student musicians’ career horizons: The importance of being and becoming a learner in higher education. International Journal of Music Education, 39(2), 134–150. https://doi.org/10.1177/0255761421989111

Malaschenko, V. O., Antonova, M. A., Knyazeva, G. L., Belokon, I. A., & Pechersky, B. A. (2020). Theoretical and practical aspects of integrating the computer and music technologies into the instrumental performance training of the pedagogical university students. International Scientific and Practical Conference “Theory and Practice of Project Management in Education: Horizons and Risks” , 79, 01014. https://doi.org/10.1051/SHSCONF/20207901014

Nart, S. (2016). Music software in the technology integrated music education. Music Software in the Technology Integrated Music Education, 15(2), 78–84. http://www.tojet.net/abstracts/v15i2/1529

Pendergast, S. (2022). Creative music-making with digital audio workstations. Music Educators Journal, 108(2), 44–56. https://doi.org/10.1177/00274321211060310

Portowitz, A., Peppler, K. A., & Downton, M. (2014). In harmony: A technology-based music education model to enhance musical understanding and general learning skills. International Journal of Music Education, 32(2), 242–260. https://doi.org/10.1177/0255761413517056

Pratama, A., & Latifah, D. (2023). Rancangan instrumen virtual Kendang Sunda menggunakan Kontakt sebagai media kreativitas musik digital. musikolastika: jurnal pertunjukan dan pendidikan Musik, 5(2), 167–176. https://doi.org/10.24036/MUSIKOLASTIKA.V5I2.134

Ramdani, F., & Sukmayadi, Y. (2023). Composition music Gamelan with VSTi. Proceedings of the Fifth International Conference on Arts and Design Education (ICADE 2022), 200–209. https://doi.org/10.2991/978-2-38476-100-5_29

Reuter, A. (2022). Who let the DAWs Out? The digital in a new generation of the digital audio workstation. Popular Music and Society, 45(2), 113–128. https://doi.org/10.1080/03007766.2021.1972701

Riyadi, L., & Budiman, N. (2023). Capaian pembelajaran seni musik pada kurikulum merdeka sebagai wujud merdeka belajar. Musikolastika: Jurnal Pertunjukan Dan Pendidikan Musik, 5(1), 40–50. https://doi.org/10.24036/MUSIKOLASTIKA.V5I1.104

Supiarza, H., Sobarna, C., Sukmayadi, Y., & Mulyadi, R. M. (2018). The prospect and future of youth Kroncong Group at Universitas Pendidikan Indonesia in Bandung. Harmonia: Journal of Arts Research and Education, 18(1), 52–61. https://doi.org/10.15294/harmonia.v18i1.11775

Swanwick, K. (2001). Musical technology and the interpretation of heritage. International Journal of Music Education, 37(1), 32–43. https://doi.org/10.1177/025576140103700104

Wise, S., Greenwood, J., & Davis, N. (2011). Teachers’ use of digital technology in secondary music education: illustrations of changing classrooms. British Journal of Music Education, 28(2), 117–134. https://doi.org/10.1017/S0265051711000039

Yulfita, A. F., & Asril, A. (2023). Hibridisasi pada musik Keroncong dalam Lagu Bugih Lamo oleh Grup Orkes Keroncong Buana Lestari Sawahlunto. Jurnal Mebang: Kajian Budaya Musik Dan Pendidikan Musik, 3(2), 61–72. https://doi.org/10.30872/MEBANG.V3I2.88




DOI: https://doi.org/10.21831/jitp.v11i4.71223

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Adel Sulaiman Kusuma, Yudi Sukmayadi, Lanang Riyadi

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Our journal indexed by:

       

View Journal Statistics